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ASSEMBLEDGE

A selection of Ellie Howitt’s Assembledge artworks featuring mixed-media compositions of mirrors, vintage trinket boxes

Put A Lid On It Love after Millais, Vermeer & Bouche

2026

20 x 20 x 11 cm

Oil Paintings mounted in collectors frames & trinket box

oil painting of Millais s' muses eye mounted in a vintage powder compact
oil painting of Leonardo DaVinci muses eye mounted in a vintage powder compact
oil painting of Vermeer muses eye mounted in a vintage powder compact
oil painting of John Singer sargents' muses eye mounted in a vintage powder compact
Keep A Lid On It Love after Sargent, Vermeer and Bouche

Birds Eye View after Millais

2026

10 x 10 x 11cm

Oil Paintings mounted in vintage powder compact

Birds Eye View after DaVinci

2026

10 x 10 x 11cm

Oil Paintings mounted in vintage powder compact

Birds Eye View after Vermeer

2026

10 x 10 x 11cm

Oil Paintings mounted in vintage powder compact

Birds Eye View after Sargent

2026

10 x 10 x 11cm

Paintings mounted in vintage powder compact

A selection of Ellie Howitt’s Assembledge artworks featuring mixed-media compositions of compact mirrors and trinket boxes

Put A Lid On It Love after Sargent, Vermeer & Bouche

2026

110 x 24 x 28 cm.

Oil Paintings mounted in collectors frames & trinket box on a silk draped plinth

A selection of Ellie Howitt’s Assembledge artworks featuring mixed-media compositions of mirrors, vintage trinket boxes
A selection of Ellie Howitt’s Assembledge artworks featuring mixed-media compositions of compact mirrors and trinket boxes

Put A Lid On It Love after DaVinci, Millais & Vermeer

2026

110 x 24 x 28 cm.

Oil painting, vintage powder compacts & trinket box on a velvet draped plinth

Some Bodies Eyes 2026 

10 x 40 x 12 cm

Pencil Crayon on Paper mounted in vintage powder compacts on powder-coated aluminium shelf

Private View 2026 

10 x 30 x 12 cm

Pencil Crayon on Paper mounted in vintage powder compacts on powder-coated aluminium shelf

WORKS IN PROCESS

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I'm really excited about this work in process. It towers over you at nearly 3.5 metres. It being a composite piece allows me to work small to build BIG!

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Each frame will contain replica oil paintings of breasts from art history mounted in a collection of vintage and antique frames.​

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After breast cancer surgery changed my own body, I became fascinated by the apparently perfect breasts in historical paintings. Here I'll mirror and duplicate them until their symmetry becomes almost absurdly perfect, exposing the distance between the idealised body and the real body that ages, scars, becomes ill and changes. I wanted to exaggerate that distance rather than disguise it. The title Collectors’ Items is deliberately uncomfortable too. These women’s bodies have, in a sense, been collected for centuries — by museums, by art history and by our eyes. I’m collecting the collectors’ version of femininity and putting it back on display.

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Below is a round version this time curated with oval frames.

It measures approximately 2 metres diameter.

© 2026 Ellie Howitt

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